Wednesday, May 28, 2008

Indiana Jones and the Problem of Historical Inaccuracies

Perhaps the last place one would search for historical accuracy is in a summer Hollywood blockbuster but the sheer popularity of the Indiana Jones franchise means that what fables are contained in its plot are bound to have a huge impact on peoples perception of the world.

That’s a key concern for many Peruvians who fear misrepresentations of their culture and history in the newest film in the franchise, Indiana Jones and The Kingdom of Crystal Skull.

Peru has long had a special place in the archeologist's fictional world since a pair of Peruvian porters led the hero to the temple in the prelude of Raiders of the Lost Ark. In fact, many say Indiana Jones was subtly inspired by real-life explorer Gene Savoy who spent much of his life searching for the many “lost cities” of the Incas.

Yet, the Indiana Jones franchise has often played fast and loose with the reality of Peruvian history, culture and tradition and the latest film is no exception. While many may dismiss the liberties as ‘it’s only a movie’ many Peruvians are concerned about the effect of the film given broad misconceptions about their country that already exist due to widespread inaccuracies.

"Even if it is fiction there are many incorrect facts," said Historian Manuel Burga, the former head of the University of San Marcos in Lima. "This is going to be damaging to many people who do not know our country, because it shows a Peruvian landscape that is not real.”

Most damaging is a broad lack of distinction between the Mayan cultures of central Mexico and the Inca cultures of Andean South America. These two empires are separated by thousands of miles and hundreds of years but the film constantly portrays them as near equivalents.

This is reinforced by howlers such as the Jones’ impossible claim he learned to speak the Peruvian native tongue of Quechua in Mexico in the 1910s. Interesting feat since the language is isolated to the Andean highlands.

The film also makes gross geographic liberties such as placing the Nazca Lines located on the Peruvian Pacific Coast near the mountain city of Cusco several hundred miles away in reality.

Worst of all, the film subtly reinvigorates the crackpot theories of Erich von Daniken whose bestselling book “Chariots of the Gods” has often been unquestionably cited as a source despite it’s woeful lack of scientific basis.

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